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商品描述
How forty-one women--including Dorothy Parker, Gypsy Rose Lee, and Lena Horne--were forced out of American television and radio in the 1950s "Red Scare."
At the dawn of the Cold War era, forty-one women working in American radio and television were placed on a media blacklist and forced from their industry. The ostensible reason: so-called Communist influence. But in truth these women--among them Dorothy Parker, Lena Horne, and Gypsy Rose Lee--were, by nature of their diversity and ambition, a threat to the traditional portrayal of the American family on the airwaves. This book from Goldsmiths Press describes what American radio and television lost when these women were blacklisted, documenting their aspirations and achievements.
Through original archival research and access to FBI blacklist documents, The Broadcast 41 details the blacklisted women's attempts in the 1930s and 1940s to depict America as diverse, complicated, and inclusive. The book tells a story about what happens when non-male, non-white perspectives are excluded from media industries, and it imagines what the new medium of television might have looked like had dissenting viewpoints not been eliminated at such a formative moment. The all-white, male-dominated Leave it to Beaver America about which conservative politicians wax nostalgic existed largely because of the forcible silencing of these forty-one women and others like them. For anyone concerned with the ways in which our cultural narrative is constructed, this book offers an urgent reminder of the myths we perpetuate when a select few dominate the airwaves.
商品描述(中文翻譯)
如何四十一位女性——包括多蘿西·帕克(Dorothy Parker)、吉普賽玫瑰·李(Gypsy Rose Lee)和莉娜·霍恩(Lena Horne)——在1950年代的「紅色恐慌」中被迫退出美國電視和廣播。
在冷戰時期的黎明,四十一位在美國廣播和電視工作的女性被列入媒體黑名單,並被迫離開她們的行業。表面上的理由是所謂的共產主義影響。但事實上,這些女性——其中包括多蘿西·帕克、莉娜·霍恩和吉普賽玫瑰·李——因其多樣性和雄心,對於傳統的美國家庭形象構成了威脅。本書由金史密斯出版社出版,描述了當這些女性被列入黑名單時,美國廣播和電視失去了什麼,並記錄了她們的抱負和成就。
透過原始的檔案研究和對FBI黑名單文件的訪問,《廣播41》詳細介紹了這些被列入黑名單的女性在1930年代和1940年代試圖描繪美國的多樣性、複雜性和包容性。本書講述了一個故事,關於當非男性、非白人觀點被排除在媒體行業之外時會發生什麼,並想像如果在這個形成性時刻不同的觀點沒有被消除,電視這一新媒體會是什麼樣子。保守派政治家懷舊的全白、男性主導的《留給比佛》(Leave it to Beaver)美國,主要是因為這四十一位女性及其他類似女性的強制沉默而存在。對於任何關心我們文化敘事如何構建的人來說,本書提供了一個緊迫的提醒,讓我們意識到當少數人主導廣播時,我們所延續的神話。