Speculative Everything, with a New Preface by the Authors: Design, Fiction, and Social Dreaming

Dunne, Anthony, Raby, Fiona

  • 出版商: MIT
  • 出版日期: 2024-04-02
  • 售價: $1,420
  • 貴賓價: 9.5$1,349
  • 語言: 英文
  • 頁數: 240
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 0262548682
  • ISBN-13: 9780262548687
  • 海外代購書籍(需單獨結帳)

商品描述

How to use design as a tool to create not only things but ideas, to speculate about possible futures.

Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be--to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose "what if" questions that are intended to open debate and discussion about the kind of future people want (and do not want).

Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more--about everything--reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.

商品描述(中文翻譯)

如何將設計作為一種工具,不僅創造事物,還能推測可能的未來。如今,設計師通常專注於使技術易於使用、性感且可消費。在《Speculative Everything》一書中,安東尼·鄧恩(Anthony Dunne)和菲奧娜·拉比(Fiona Raby)提出了一種將設計作為一種工具來創造事物和思想的設計方式。對他們來說,設計是一種推測事物可能性的手段,是想像可能未來的方式。這不是通常的預測或預測趨勢,這些預測一再被證明是錯誤的。相反,鄧恩和拉比提出了“如果”問題,旨在引發關於人們想要(和不想要)的未來的辯論和討論。

《Speculative Everything》帶領我們遊覽設計思想、理想和方法的新興文化景觀。鄧恩和拉比引用了他們自己的設計和教學以及來自美術、設計、建築、電影和攝影等領域的其他項目。他們還借鑒了未來學、政治理論、技術哲學和文學小說。例如,他們展示了太陽能廚房餐廳的構想;一個黏蟲機器人時鐘;一個月經機器;一輛種雲卡車;一個幻肢感覺記錄器;以及利用合成生物學工具進行食物尋找的設備。鄧恩和拉比認為,如果我們更多地進行推測 - 對一切事物進行推測 - 現實將變得更加可塑。推測設計所釋放的思想增加了實現理想未來的可能性。

作者簡介

Anthony Dunne is Professor and Head of the Design Interactions Programme at the Royal College of Art. He is the author of Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design (MIT Press).

Fiona Raby is Professor of Industrial Design at the University of Applied Arts, Vienna, and Reader in Design Interactions at the Royal College of Art.

作者簡介(中文翻譯)

Anthony Dunne是英國皇家藝術學院設計互動課程的教授和主任。他是《Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design》(麻省理工學院出版社)的作者。

Fiona Raby是奧地利應用藝術大學工業設計的教授,也是英國皇家藝術學院設計互動課程的讀者。