商品描述
The first ever monograph on the groundbreaking work of artist and composer Raven Chacon. A career-spanning catalogue featuring excerpts from Raven Chacon's scores, musical prompts, and drawings interspersed with full-color documentation and descriptive texts of installations, sculptures, and performances.
Raven Chacon is a composer and artist creating musical experiences that explore relationships among land, space, and people. In an experimental practice that cuts across the boundaries of visual art, performance, and music, Chacon breaks open musical traditions and activates spaces of performance where the histories of the lands the United States has encroached upon can be contemplated, questioned, and reimagined. In 2022, Raven Chacon became the first Native American to win the Pulitzer Prize for Music, and was awarded a prestigious MacArthur "genius" fellowship in 2023.
The publication features newly commissioned texts including three long-form essays by Aruna D'Souza, Anthony Huberman, and Dylan Robinson/Patrick Nickleson; experimental short-form writing by Raven Chacon, Lou Cornum, Ingir Bål Nango, Marja Bål Nango, Eric-Paul Riege, Ánde Somby, and Sigbj rn Skåden; an introduction by Katya García-Antón and Stefanie Hessler; and a conclusion by Candice Hopkins.
Co-published by Swiss Institute and Nordnorsk Kunstmuseum
商品描述(中文翻譯)
《藝術家及作曲家 Raven Chacon 開創性作品的首部專著》
這本涵蓋其職業生涯的目錄，展示了 Raven Chacon 的樂譜摘錄、音樂提示和插圖，並穿插全彩的紀錄和對裝置藝術、雕塑及表演的描述性文本。
Raven Chacon 是一位作曲家和藝術家，創造音樂體驗以探索土地、空間和人之間的關係。在一種跨越視覺藝術、表演和音樂界限的實驗性實踐中，Chacon 打破音樂傳統，激活表演空間，讓人們能夠思考、質疑和重新想像美國所侵佔土地的歷史。2022年，Raven Chacon 成為首位獲得普利茲音樂獎的美國原住民，並於2023年獲得了享有盛譽的麥克阿瑟「天才」獎學金。
本出版物包含新委託的文本，包括 Aruna D'Souza、Anthony Huberman 和 Dylan Robinson/Patrick Nickleson 的三篇長篇文章；Raven Chacon、Lou Cornum、Ingir Bål Nango、Marja Bål Nango、Eric-Paul Riege、Ánde Somby 和 Sigbjørn Skåden 的實驗性短文；Katya García-Antón 和 Stefanie Hessler 的介紹；以及 Candice Hopkins 的結論。
本書由瑞士研究所和北挪威藝術博物館共同出版。
作者簡介
Alison Coplan is Chief Curator of Swiss Institute, New York where she has organized over 50 exhibitions and projects of newly commissioned work with artists such as Alfatih, Latifa Echakhch, Karen Lamassonne, Jac Leirner, Shuang Li, Raúl de Nieves, Sandra Mujinga, Vivian Suter, Jenna Sutela, TELFAR and Shen Xin. She is the editor of publications on the work of artists Anna-Sophie Berger, Irena Haiduk, Hans Haacke, Jill Mullead, Walter Pfeiffer, Cally Spooner and Jan Vorisek.
Katya García-Antón is Director and chief curator, Nordnorsk Kunstmuseum.
Stefanie Hessler is Director of Swiss Institute, New York. Author of
Prospecting Ocean (MIT Press and TBA21-Academy, 2019) and editor of over a dozen volumes including
Frida Orupabo (Sternberg Press, 2022),
Sex Ecologies (MIT Press, Kunsthall Trondheim and
Seed Box, 2022),
Tidalectics: Imagining an Oceanic Worldview through Art and Science (MIT Press, 2018) and
Life Itself (Moderna Museet and Koenig Books, 2016).
作者簡介(中文翻譯)
Alison Coplan 是瑞士學院（Swiss Institute）在紐約的首席策展人，她策劃了超過 50 場展覽和新委託作品的項目，參與的藝術家包括 Alfatih、Latifa Echakhch、Karen Lamassonne、Jac Leirner、Shuang Li、Raúl de Nieves、Sandra Mujinga、Vivian Suter、Jenna Sutela、TELFAR 和 Shen Xin。她也是有關藝術家 Anna-Sophie Berger、Irena Haiduk、Hans Haacke、Jill Mullead、Walter Pfeiffer、Cally Spooner 和 Jan Vorisek 作品的出版物編輯。
Katya García-Antón 是北挪威藝術博物館（Nordnorsk Kunstmuseum）的館長及首席策展人。
Stefanie Hessler 是瑞士學院（Swiss Institute）在紐約的館長。她是《Prospecting Ocean》（MIT Press 和 TBA21-Academy，2019）的作者，並編輯了十多本書籍，包括《Frida Orupabo》（Sternberg Press，2022）、《Sex Ecologies》（MIT Press、Kunsthall Trondheim 和 Seed Box，2022）、《Tidalectics: Imagining an Oceanic Worldview through Art and Science》（MIT Press，2018）以及《Life Itself》（Moderna Museet 和 Koenig Books，2016）。
