商品描述
Reflections on the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society. According to Pelin Tan, there are forms of belonging that do not quite belong. In this collection of essays and conversations with artists and practitioners across twenty years of research and fieldwork, she sets out to situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society relative to the production of space, structural violence, shifting landscapes, and desecration of the environment. She also engages methodological questions integral to critical practice, including radical pedagogy, forms of commoning, non-hegemonic instituting practices, and the imagination of survival.
How can the experience of art reveal and embody the voice of apocalyptic landscapes? How can the effects of large-scale disasters be memorialized through artistic and architectural methodologies? In addressing such questions, the book aims to advance collective critical thinking by inviting the reader to engage with particular artifacts and architectures as traces of an apocalyptic era, lands as strata of violence, cycles as Earth's navigation, and exile as a form of semi-voluntary collectivity.
Co-published by e-flux journal
商品描述(中文翻譯)
對當代流亡、難民、移民及社會邊緣社群建設條件的反思。
根據 Pelin Tan 的說法，有些歸屬感並不完全屬於某個地方。在這本包含二十年研究與實地工作的文章和藝術家及實踐者對話的合集裡，她旨在將當代流亡、難民、移民及社群建設的條件置於社會邊緣，並與空間的生產、結構性暴力、變遷的景觀及環境的褻瀆相對應。她還探討了與批判性實踐密切相關的方法論問題，包括激進教育學、共同體的形式、非霸權的建立實踐及生存的想像。
藝術的經驗如何揭示並體現末世景觀的聲音？大型災難的影響如何透過藝術和建築的方法論來紀念？在探討這些問題時，本書旨在透過邀請讀者參與特定的文物和建築，作為末世時代的痕跡、土地作為暴力的層次、循環作為地球的導航，以及流亡作為一種半自願的集體性，來推進集體的批判性思考。
與 e-flux journal 共同出版。
作者簡介
Pelin Tan is a sociologist and art historian based between Tire and Mardin (Turkey). She is a professor in the film department of the fine arts faculty at Batman University, Turkey. In 2019 Tan was awarded the Bard College's Keith Haring Fellowship in Art and Activism. She is a Prof. Roemer Fellow at the Orient Institute of Beirut. Her books include
Threshold Architecture: Unconditional Hospitality.
Eyal Weizman is the Founder and Director of Forensic Architecture and professor of Spatial and Visual Cultures at Goldsmiths, University of London, where in 2005 he founded the Centre for Research Architecture. In 2007, with Sandi Hilal and Alessandro Petti, he established the architectural collective DAAR in Beit Sahour/Palestine. He is the author of numerous books, including
Hollow Land (2024),
Investigative Aesthetics with Matthew Fuller (2021),
Forensic Architecture (2017),
The Roundabout Revolutions (Sternberg Press, 2015),
The Conflict Shoreline (2015),
Forensis (Sternberg Press 2014), and
The Least of all Possible Evils (2011).
作者簡介(中文翻譯)
佩林·譚（Pelin Tan）是一位社會學家和藝術史學家，居住在土耳其的提雷（Tire）和馬爾丁（Mardin）之間。她是土耳其巴特曼大學（Batman University）美術學院電影系的教授。2019年，譚獲得了巴德學院（Bard College）的基思·哈林（Keith Haring）藝術與行動主義獎學金。她是貝魯特東方研究所（Orient Institute of Beirut）的羅默教授（Prof. Roemer）研究員。她的著作包括《門檻建築：無條件的款待》（Threshold Architecture: Unconditional Hospitality）。
艾雅爾·維茲曼（Eyal Weizman）是法醫建築（Forensic Architecture）的創始人和主任，並且是倫敦大學金史密斯學院（Goldsmiths, University of London）空間與視覺文化的教授。他於2005年創立了研究建築中心（Centre for Research Architecture）。2007年，他與桑迪·希拉爾（Sandi Hilal）和亞歷山德羅·佩蒂（Alessandro Petti）在巴勒斯坦的貝特薩胡爾（Beit Sahour）成立了建築集體DAAR。他著有多本書籍，包括《空心土地》（Hollow Land，2024年）、與馬修·富勒（Matthew Fuller）合著的《調查美學》（Investigative Aesthetics，2021年）、《法醫建築》（Forensic Architecture，2017年）、《環形革命》（The Roundabout Revolutions，Sternberg Press，2015年）、《衝突海岸線》（The Conflict Shoreline，2015年）、《法醫學》（Forensis，Sternberg Press，2014年）以及《所有可能的惡中最小的》（The Least of all Possible Evils，2011年）。
