商品描述
Travesti writers, voices, performers, artists, and historians presenting a collective narrative of survival. Despite its long history, the unique Latin American phenomenon of sexual identity,
travesti, has been largely overlooked in Western European discourse. Travesti brings to life systems of knowledge and the attitude of autonomy that occupies a distinct position within the clash of class, gender, and race. The development of long-term forms of ephemerality sheds light on processes of travesti anti-capitalist revolt, as well as the capacity of travesti to exploit and/or migrate themselves in order to make life possible and worth living, and the dynamics of practices and reflections to emerge anew. Despite the necropolitical grip on their lives, the swaying of travesti bodies is both witty and powerful. They themselves have taken detailed steps to find a way to exist and build communities.
Drawing together numerous writers, voices, performers, artists, and historians, this book is not merely about travesti, it
is travesti.
Texts by Frau Diamanda and Pêdra Costa, Marina Grzinic and Jovita Pristovsek, R. Marcos Mota, Johan Mijail, Claudia Rodríguez, Juan Pablo Sutherland, Marlene Wayar, Gabriela Wiener, Sergio Zevallos. Interviews with Diego Marchante, Iki Yos Piña Narváez and Francisco Godoy Vega, and Diego Falconí Trávez. Drawings by Iki Yos Piña Narváez.
The second part of the book is a translation of Frau Diamanda/Héctor Acuña's book
Escenas Catalana. With Forewords by Diego Falconí Trávez and Hernán Migoya, and illustrations by Juan Carlos Cajigas "Juka", César "Chechi" Chávez, Jesús García, and Rapha Hu.
Copublished by Academy of Fine Arts Vienna
商品描述(中文翻譯)
**Travesti 作家、聲音、表演者、藝術家和歷史學家呈現了一個集體的生存敘事。**
儘管有著悠久的歷史，拉丁美洲獨特的性別認同現象 travesti 在西歐的話語中卻大多被忽視。Travesti 使知識體系和自主態度得以生動展現，並在階級、性別和種族的衝突中佔據了獨特的位置。長期的短暫性發展揭示了 travesti 反資本主義叛亂的過程，以及 travesti 如何利用和/或遷移自身以使生活成為可能且值得生活的能力，並促使新的實踐和反思的動態出現。儘管他們的生活受到死亡政治的控制，travesti 身體的搖擺既機智又強大。他們自己已經採取了詳細的步驟來尋找存在的方式並建立社群。
這本書匯集了眾多作家、聲音、表演者、藝術家和歷史學家，不僅僅是關於 travesti，它 就是 travesti。
文本由 Frau Diamanda 和 Pêdra Costa、Marina Grzinic 和 Jovita Pristovsek、R. Marcos Mota、Johan Mijail、Claudia Rodríguez、Juan Pablo Sutherland、Marlene Wayar、Gabriela Wiener、Sergio Zevallos 提供。訪談對象包括 Diego Marchante、Iki Yos Piña Narváez 和 Francisco Godoy Vega，以及 Diego Falconí Trávez。插圖由 Iki Yos Piña Narváez 提供。
本書的第二部分是 Frau Diamanda/Héctor Acuña 的書 Escenas Catalana 的翻譯。前言由 Diego Falconí Trávez 和 Hernán Migoya 撰寫，插圖由 Juan Carlos Cajigas 'Juka'、César 'Chechi' Chávez、Jesús García 和 Rapha Hu 提供。
本書由維也納美術學院共同出版。
作者簡介
Oke Fijal is a conceptual and multimedia artist based in Vienna. They are currently part of the Studio for Art and Intervention, Post-Conceptual Art Practices (PCAP, IBK) at the Academy of Fine Arts Vienna; Marina Grzinic is a full professor at the Academy of Fine Arts Vienna, head of the Studio for Art and Intervention, Post-Conceptual Art Practices (PCAP, IBK); Sen Reyes is an interdisciplinary artist from Barcelona. They studied film until 2021 and has collaborated in various independent audiovisual productions. Their lines of work focus on the relationships between technology, fiction and identity, as well as their social and political context and history; Melina Vesely studied Fine Arts at the Bauhaus University Weimar and recently at the Academy of Fine Arts Vienna. Her research in the fields of care, gender, relations, community and conviviality are realized in various collective projects, poems, print publications, textile practices, and audio works.
作者簡介(中文翻譯)
是一位駐於維也納的概念及多媒體藝術家。他們目前是維也納美術學院藝術與介入工作室、後概念藝術實踐（PCAP, IBK）的一部分； 是維也納美術學院的全職教授，並擔任藝術與介入工作室、後概念藝術實踐（PCAP, IBK）的負責人； 是來自巴塞隆納的跨學科藝術家。他們在2021年前學習電影，並參與了多個獨立的視聽製作。他們的工作重點在於技術、虛構與身份之間的關係，以及它們的社會和政治背景與歷史； 在魏瑪包豪斯大學學習美術，最近在維也納美術學院進修。她在關懷、性別、關係、社群和共處等領域的研究，透過各種集體項目、詩歌、印刷出版物、紡織實踐和音頻作品得以實現。
