Critical Theory and Phenomenology: Polemics, Appropriations, Perspectives

Ferencz-Flatz, Christian

  • 出版商: Springer
  • 出版日期: 2024-05-17
  • 售價: $4,640
  • 貴賓價: 9.5$4,408
  • 語言: 英文
  • 頁數: 198
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 3031276175
  • ISBN-13: 9783031276170
  • 海外代購書籍(需單獨結帳)

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商品描述

This book outlines the most important points of intersection between early phenomenology and critical theory. It develops extensive analyses' of specific instruments of the phenomenological method such as eidetic intuition and the procedures of genetic phenomenology. These procedures were both criticized and reappropriated by some of the most notable early critical theorists such as Adorno, Benjamin, Kracauer and Marcuse. As such, the book offers the first extensive account of the important phenomenological heritage of critical theory.

This book also attests to the versatility of the phenomenological method, which can be shown to have influenced a wide array of approaches within the critical tradition. The chapters focus on these early critical theorists and also discuss the applications of their methods within the treatment of numerous media-theory issues. In so doing, the book shows how fertile a critically reappropriated phenomenology may prove for tackling contemporary media phenomena such as television, film and advertising. This volume appeals to students and researchers working in the crosshairs of phenomenology, critical theory, and media studies.


商品描述(中文翻譯)

這本書概述了早期現象學和批判理論之間最重要的交叉點。它詳細分析了現象學方法的特定工具,如直觀和遺傳現象學的程序。這些程序既受到批判,也被一些著名的早期批判理論家如阿多諾、本雅明、克勞考爾和馬庫塞重新運用。因此,這本書提供了對批判理論重要的現象學遺產的首次廣泛介紹。

這本書還證明了現象學方法的多功能性,可以看出它對批判傳統中各種方法的影響。各章節聚焦於這些早期批判理論家,並討論了他們的方法在處理眾多媒體理論問題中的應用。這本書展示了一個被批判性重新運用的現象學對於應對當代媒體現象如電視、電影和廣告等的豐富性。這本書適合在現象學、批判理論和媒體研究交叉領域工作的學生和研究人員閱讀。

作者簡介

Christian Ferencz-Flatz (n. 1981) is a researcher at the Alexandru Dragomir Institute for Philosophy and an associated professor at the National University of Theatre and Film. He is a former fellow of the Alexander Humboldt Foundation. His research interests concern classical german phenomenology, critical theory, film and image theories. His most recent publications include the monographs Sehen Als-ob. Ästhetik und Pragmatik in Husserls Bildlehre (Bautz, 2016) and Filmul ca situație socială (Tact, 2018), as well as the 2016 and 2018 issues of Studia Phaenomenologica: Film and Phenomenology (with J. Hanich) and The Promise of Genetic Phenomenology (with A. Staiti).

作者簡介(中文翻譯)

Christian Ferencz-Flatz(1981年出生)是亞歷山德魯·德拉戈米爾哲學研究所的研究員,也是國立戲劇電影大學的副教授。他曾是亞歷山大·洪堡基金會的研究員。他的研究興趣包括古典德國現象學、批判理論、電影和影像理論。他最近的著作包括專著《Sehen Als-ob. Ästhetik und Pragmatik in Husserls Bildlehre》(Bautz, 2016)和《Filmul ca situație socială》(Tact, 2018),以及2016年和2018年的《Studia Phaenomenologica: Film and Phenomenology》(與J. Hanich合著)和《The Promise of Genetic Phenomenology》(與A. Staiti合著)期刊。