Who Wrote Citizen Kane?: Statistical Analysis of Disputed Co-Authorship

Buckland, Warren

  • 出版商: Springer
  • 出版日期: 2024-09-30
  • 售價: $4,690
  • 貴賓價: 9.5$4,456
  • 語言: 英文
  • 頁數: 167
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 303140226X
  • ISBN-13: 9783031402265
  • 海外代購書籍(需單獨結帳)

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商品描述

This book offers a solution to one of film history's major controversies: the long-running dispute over Orson Welles' and Herman J. Mankiewicz's contributions to the Citizen Kane screenplay. It establishes the vital importance of computing and statistics to solving previously intractable puzzles in the arts and humanities.

Citizen Kane (1941) is one of the most acclaimed films in the history of cinema. For 50 years it topped the Sight & Sound film critics' poll. Orson Welles directed the film and is credited with co-writing the screenplay with Herman J. Mankiewicz. But the co-writer credit generates furious disputes between those who argue Mankiewicz is the sole author of Citizen Kane and those who claim that Welles collaborated fully with its writing.

The author employs computing and statistics to answer two questions: What are the distinguishing features of Welles' and of Mankiewicz's writing?And What did each contribute to the writing of the Citizen Kane screenplay? To answer these questions, the author bypasses opinions and impressions, and instead subjects the language of the Citizen Kane screenplay to a 'forensic' examination.

Employing linguistics, basic statistical tests, plus computer technology and software, the author identifies the stylistic signature of each author - the combination of consistent and regular linguistic habits that make each author's writing distinctive. This book replaces impressionistic discussions of Mankiewicz's and Welles' contributions to the Citizen Kane screenplay with a rigorous, experiment-driven statistical analysis. Earlier statistical studies of authorship have discovered that small, unassuming language features (such as punctuation, pronouns, and prepositions) in statistically significant quantities, constitute a screenwriter's distinctive writing habits. Only with the extensive experimentation carried out in this volume, did the author decide Mankiewicz's and Welles' specific habits and their contributions to Citizen Kane.


商品描述(中文翻譯)

這本書提供了解決電影歷史上主要爭議之一的方案:關於奧森·威爾斯(Orson Welles)和赫爾曼·J·曼基維奇(Herman J. Mankiewicz)對《公民凱恩》(Citizen Kane)劇本貢獻的長期爭論。它確立了計算和統計在解決藝術和人文領域中以往難以處理的難題的重要性。

《公民凱恩》(1941)是電影史上最受讚譽的影片之一。在50年內,它在《Sight & Sound》電影評論家的投票中名列第一。奧森·威爾斯執導了這部電影,並與赫爾曼·J·曼基維奇共同編寫劇本。然而,這種共同編劇的認可引發了激烈的爭論,支持曼基維奇是《公民凱恩》唯一作者的人與聲稱威爾斯全程參與編寫的人之間存在分歧。

作者運用計算和統計來回答兩個問題:威爾斯和曼基維奇的寫作有何區別特徵?以及他們各自對《公民凱恩》劇本的寫作貢獻了什麼?為了回答這些問題,作者繞過了意見和印象,而是對《公民凱恩》劇本的語言進行了“法醫”式的檢驗。

作者運用語言學、基本統計測試,以及計算機技術和軟體,識別出每位作者的風格特徵——這是使每位作者的寫作獨特的、持續且規律的語言習慣的組合。這本書用嚴謹、以實驗為驅動的統計分析取代了對曼基維奇和威爾斯對《公民凱恩》劇本貢獻的印象派討論。早期的作者身份統計研究發現,小而不起眼的語言特徵(如標點符號、代名詞和介詞)在統計上顯著的數量中,構成了編劇的獨特寫作習慣。只有在本書中進行了廣泛的實驗後,作者才決定曼基維奇和威爾斯的具體習慣及其對《公民凱恩》的貢獻。

作者簡介

Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. His research interests include (1) Film Theory (semiotics, cognitive film theory); (2) Narrative Theory (puzzle films, unreliable narration); (3) Digital Humanities (statistical style analysis, stylometric analysis of screenplays).

He is author of Narrative and Narration: Analyzing Cinematic Storytelling (2021), Wes Anderson's Symbolic Storyworld (2019), Film Theory: Rational Reconstructions (2012), Directed by Steven Spielberg (2006), and The Cognitive Semiotics of Film (2000). His edited collections include Puzzle Films: Complex Storytelling in Contemporary Cinema (2009).


作者簡介(中文翻譯)

沃倫·巴克蘭(Warren Buckland)是英國牛津布魯克斯大學的電影研究講師。他的研究興趣包括:(1) 電影理論(符號學、認知電影理論);(2) 敘事理論(謎題電影、不可靠敘述);(3) 數位人文(統計風格分析、劇本的風格計量分析)。

他著有《敘事與敘述:分析電影敘事》(Narrative and Narration: Analyzing Cinematic Storytelling,2021)、《韋斯·安德森的象徵故事世界》(Wes Anderson's Symbolic Storyworld,2019)、《電影理論:理性重建》(Film Theory: Rational Reconstructions,2012)、《史蒂文·斯皮爾伯格執導的電影》(Directed by Steven Spielberg,2006)以及《電影的認知符號學》(The Cognitive Semiotics of Film,2000)。他編輯的文集包括《謎題電影:當代電影中的複雜敘事》(Puzzle Films: Complex Storytelling in Contemporary Cinema,2009)。