Self-Understanding in the Tractatus and Wittgenstein's Architecture: From Adolf Loos to the Resolute Reading
暫譯: 《《邏輯哲學論》中的自我理解與維根斯坦的架構:從阿道夫·盧斯到堅定解讀》

Henriques, Raimundo

  • 出版商: Palgrave MacMillan
  • 出版日期: 2024-07-17
  • 售價: $5,290
  • 貴賓價: 9.8$5,184
  • 語言: 英文
  • 頁數: 263
  • 裝訂: Hardcover - also called cloth, retail trade, or trade
  • ISBN: 3031583833
  • ISBN-13: 9783031583834
  • 無法訂購

商品描述

Between 1926 and 1928, the philosopher Ludwig Wittgenstein designed a house for his sister in Vienna (the Kundmanngasse). This book aims to clarify the relation between that house and Wittgenstein's early philosophy. The starting point of its main argument is a remark from Diktat für Schlick (c. 1932-33) in which Wittgenstein proposes an analogy between ornaments and nonsensical sentences. The attempt to extract from it an account of the relation between the Kundmanngasse and the Tractatus Logico-Philosophicus (1921) leads to the writings of Adolf Loos (whose influence Wittgenstein recognized). The discussion of Loos's writings suggests that the analogy should be understood, not as one between actual ornaments and nonsensical sentences, but as one between Loos's and Wittgenstein's uses of these notions. So understood, it favors the (so-called) resolute reading of the Tractatus and reveals that both Wittgenstein's use of 'nonsense' and Loos's use of 'ornaments' are means to the end of promoting self-understanding. The book concludes that both the Kundmanngasse and the Tractatus are results of Wittgenstein's efforts at this kind of self-understanding. These can be construed as ways of acknowledging our humanity, which in turn can be seen as a unifying element of Wittgenstein's philosophy.

商品描述(中文翻譯)

在1926年至1928年間,哲學家路德維希·維根斯坦(Ludwig Wittgenstein)為他的妹妹設計了一棟位於維也納的房子(Kundmanngasse)。本書旨在澄清該房子與維根斯坦早期哲學之間的關係。其主要論點的起始點是一段來自《Diktat für Schlick》(約1932-33)的評論,維根斯坦在其中提出了裝飾品與無意義句子之間的類比。試圖從中提取出Kundmanngasse與《邏輯哲學論》(Tractatus Logico-Philosophicus,1921)之間關係的說明,導向了阿道夫·盧斯(Adolf Loos)的著作(維根斯坦承認了他的影響)。對盧斯著作的討論表明,這一類比應該被理解為盧斯與維根斯坦對這些概念的使用之間的類比,而非實際的裝飾品與無意義句子之間的類比。如此理解,這支持了《邏輯哲學論》的(所謂的)堅定解讀,並揭示了維根斯坦對「無意義」的使用以及盧斯對「裝飾品」的使用都是促進自我理解的手段。本書結論認為,Kundmanngasse和《邏輯哲學論》都是維根斯坦在這種自我理解努力的結果。這些可以被解釋為一種「承認我們的人性」(acknowledging our humanity)的方法,而這反過來可以被視為維根斯坦哲學的統一元素。

作者簡介

Raimundo Henriques holds an MA in Philosophy and a PhD in Literary Theory from the University of Lisbon. He works at the intersection of Philosophy, Aesthetics, and Literary Theory. His main interests include, but are not limited to, the philosophy of Wittgenstein, the History of Analytic Philosophy, the Philosophy of Architecture, and the culture of the early twentieth century.

作者簡介(中文翻譯)

Raimundo Henriques 擁有里斯本大學的哲學碩士學位和文學理論博士學位。他的研究領域位於哲學、美學和文學理論的交集上。他的主要興趣包括但不限於維根斯坦的哲學、分析哲學的歷史、建築哲學以及二十世紀初的文化。