Standpoint Autotheory: Writing Embodied Experiences and Relational Artistic Practice
暫譯: 立場自我理論：書寫具身經驗與關係藝術實踐
de Almeida, Ana, Rodriguez, Mariel
- 出版商: Sternberg Press
- 出版日期: 2025-10-14
- 售價: $1,080
- 貴賓價: 9.5 折 $1,026
- 語言: 英文
- 頁數: 392
- 裝訂: Quality Paper - also called trade paper
- ISBN: 191560964X
- ISBN-13: 9781915609649
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商品描述
Twelve artists explore radically self-reflexive research attitudes integrating embodied experiences within the production of theory. Standpoint Autotheory brings together essays from artists whose research-based work has been produced in the context of the Academy of Fine Arts in Vienna (within it, after it, or despite it). With texts by Ana de Almeida, Andrea Ancira, Cana Bilir-Meier, Lena Ditte Nissen, Nina Höchtl, Olena Khoroshylova, Sanja Lasic, Mai Ling, Verena Melgarejo Weinandt, Stephanie Misa, Mariel Rodríguez, Elif Süsler-Rohringer, and Ruth Sonderegger, the publication reflects on how the academy has directly and indirectly contributed to shaping a research attitude in the Austrian artistic scene and abroad. The contributions explore the entanglements of subjectivity and criticality through various modes of thinking and artistic practice, including autoethnography, practices of the self, auto-historia teoría, standpoint theories, strong objectivity and situated knowledge, self-authority, narrativity and storytelling, radical positioning, performative philosophy, autofiction, and thinking-feeling. Through integrating embodied experiences with the production of theory, the practices featured in Standpoint Autotheory illuminate connections between the personal and political, and the individual and communal, ultimately aiming towards social transformation through questioning dominant epistemologies. Copublished by the Academy of Fine Arts Vienna
商品描述(中文翻譯)
十二位藝術家探索徹底自我反思的研究態度，將具身經驗融入理論的產出中。
立場自我理論匯集了來自藝術家的論文，這些藝術家的研究型作品是在維也納美術學院的背景下產出的（在其內部、之後或儘管如此）。本書收錄了Ana de Almeida、Andrea Ancira、Cana Bilir-Meier、Lena Ditte Nissen、Nina Höchtl、Olena Khoroshylova、Sanja Lasic、Mai Ling、Verena Melgarejo Weinandt、Stephanie Misa、Mariel Rodríguez、Elif Süsler-Rohringer和Ruth Sonderegger的文本，反思學院如何直接和間接地促成奧地利藝術界及國外的研究態度形成。 這些貢獻通過各種思考模式和藝術實踐探索主觀性與批判性的糾纏，包括自民族誌、自我實踐、自我歷史理論、立場理論、強客觀性與情境知識、自我權威、敘事性與故事講述、激進定位、表演哲學、自傳小說和思考-感受。通過將具身經驗與理論的產出相結合，立場自我理論中所展示的實踐揭示了個人與政治、個體與社群之間的聯繫，最終旨在通過質疑主導的認識論來實現社會轉型。 由維也納美術學院共同出版。作者簡介
Ana de Almeida is an artist and researcher living and working in Lisbon and Vienna. In her practice, de Almeida deals with individual and collective memory and processes of remembering from a socio-political perspective, with the intersection of family-narratives and macro-political events and with processes of privatization of history. She is a Doc-Team fellow of the Austrian Academy of Sciences and research assistant at the Institute of Art Theory and Cultural Studies of the Academy of Fine Arts of Vienna. Mariel Rodríguez Rodríguez is a research based artist interested in decolonial artistic methodologies, resistance practices, self reflexivity and relational research forms. Her artistic practice and theoretical reflections are shaped by her personal experience of migration from Mexico to Austria and the movements within. In her work she explores connections between identity construction and representation from an intersectional perspective moving between different media and aesthetic languages. She works as lecturer and assistant at the Institute of Fine Arts and Cultural Studies in the area of Artistic Research at the University of Arts and Design in Linz.
作者簡介(中文翻譯)
安娜·德·阿爾梅達（Ana de Almeida）是一位生活和工作於里斯本和維也納的藝術家及研究者。在她的實踐中，德·阿爾梅達從社會政治的角度探討個人與集體記憶及記憶的過程，關注家庭敘事與宏觀政治事件的交集，以及歷史的私有化過程。她是奧地利科學院的Doc-Team研究員，並擔任維也納美術學院藝術理論與文化研究所的研究助理。
瑪麗爾·羅德里格斯·羅德里格斯（Mariel Rodríguez Rodríguez）是一位基於研究的藝術家，對去殖民化的藝術方法、抵抗實踐、自我反思及關係研究形式感興趣。她的藝術實踐和理論反思受到她從墨西哥移民到奧地利的個人經歷及其內部運動的影響。在她的作品中，她從交叉性視角探索身份建構與表現之間的聯繫，並在不同媒介和美學語言之間移動。她在林茲藝術與設計大學的美術與文化研究所擔任講師和助理，專注於藝術研究領域。
